{"id":243,"date":"2015-05-12T01:07:49","date_gmt":"2015-05-12T01:07:49","guid":{"rendered":"http:\/\/beta.leimay.org\/portfolio\/?p=243"},"modified":"2017-05-18T08:02:43","modified_gmt":"2017-05-18T08:02:43","slug":"illo-tempore-vignettes-ii","status":"publish","type":"post","link":"http:\/\/beta.leimay.org\/portfolio\/works\/illo-tempore-vignettes-ii\/","title":{"rendered":"In Illo Tempore &#8211; Vignettes II"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221;][et_pb_row admin_label=&#8221;row&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_gallery admin_label=&#8221;Gallery&#8221; gallery_ids=&#8221;244,245,246,247,248,249,250,251,252&#8243; fullwidth=&#8221;on&#8221; \/][et_pb_button admin_label=&#8221;Button&#8221; button_alignment=&#8221;left&#8221; background_color=&#8221;#7EBEC5&#8243; \/][et_pb_tabs admin_label=&#8221;Tabs&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]<\/p>\n<p>[et_pb_tab title=&#8221;Description&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;]<\/p>\n<p><i><span style=\"font-weight: 400;\">In Illo Tempore Vignettes II<\/span><\/i><span style=\"font-weight: 400;\"> is a performance of bodies suspended in time, revealing the echoes of memory, alienation, and exile. The performers parade through relentless streams of invisible stimuli in a voyage between presence and absence. The piece addresses the innumerable stories of the exiled, the ones that are visible and the ones that take place in a vacuum. <\/span><\/p>\n<p><b><br \/>\n<\/b><i><span style=\"font-weight: 400;\">In Illo Tempore Series<\/span><\/i><span style=\"font-weight: 400;\"> explores bodies suspended in time, revealing the echoes of memory, alienation, and exile.<\/span><\/p>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Links&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Other pieces in the In Illo Tempore Series [link to In Illo Tempore Tag]<\/span><\/p>\n<p><a href=\"https:\/\/www.nyrp.org\/green-spaces\/events\/arts-in-the-gardens-qualia-gardens-installation-and-performance-art-by-leim\/\"><span style=\"font-weight: 400;\">New York Restoration Project<\/span><\/a><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"http:\/\/www.bam.org\/neighborhood\/2014\/arts-in-the-gardens\">Brooklyn Academy of Music BAM, Arts in the Gardens<\/a>&nbsp;<\/span><\/p>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Credits&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;]<\/p>\n<p><b>IMAGE CREDIT: <\/b><span style=\"font-weight: 400;\">Photo Documentation: <\/span><span style=\"font-weight: 400;\">Jeremy Tressler and Shige Moriya<\/span><b><br \/>\n<\/b><b><br \/>\n<\/b><b>OTHER CREDITS:<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">LEIMAY Ensemble Performers<\/span><b>:<\/b><span style=\"font-weight: 400;\"> Derek Dimartini, Andrea Jones, Emily Smith <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Guest Performers: Silvia Brodi, Charlotte Colmant, Mario Galeano, Lucy Kerr, Liz McAuliffe, Shannon McPhee, Allison Mikulewich, Butch Merigoni, Hiram Pines, Billy Poorten, Irena Romendik, Joanna Stone<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Original Score: Jeremy Slater and Thea Little<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Costumes: Ximena Garnica and Irena Romendik<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">In Illo Tempore Vignettes<\/span><\/i><i><span style=\"font-weight: 400;\"> II<\/span><\/i><span style=\"font-weight: 400;\"> development was supported, in part, by public funds from the New York Department of Cultural Affairs in partnership with the City Council. <\/span><i><span style=\"font-weight: 400;\">Qualia &#8211; Transcendence<\/span><\/i><span style=\"font-weight: 400;\"> is also supported by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">In Illo Tempore Vignettes<\/span><\/i><i><span style=\"font-weight: 400;\"> II <\/span><\/i><span style=\"font-weight: 400;\">is commissioned by New York Restoration Project and presented in partnership with The Brooklyn Academy of Music.<\/span><b><\/b><b><\/b><\/p>\n<p><b>&nbsp;<\/b><\/p>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Video&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221; tab_font_select=&#8221;default&#8221; body_font_select=&#8221;default&#8221;]<\/p>\n<blockquote data-secret=\"FH6rYcxoYp\" class=\"wp-embedded-content\"><p><a href=\"http:\/\/beta.leimay.org\/portfolio\/illo-tempore-vignettes-ii-video\/\">In Illo Tempore &#8211; Vignettes II Video<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"http:\/\/beta.leimay.org\/portfolio\/illo-tempore-vignettes-ii-video\/embed\/#?secret=FH6rYcxoYp\" data-secret=\"FH6rYcxoYp\" width=\"600\" height=\"338\" title=\"&#8220;In Illo Tempore &#8211; Vignettes II Video&#8221; &#8212; Leimay\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;History&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">2015 &nbsp;United States, Brooklyn, Gil Hodges Community Garden<\/span><\/p>\n<p>[\/et_pb_tab]<\/p>\n<p>[\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221;][et_pb_row admin_label=&#8221;row&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_gallery admin_label=&#8221;Gallery&#8221; gallery_ids=&#8221;244,245,246,247,248,249,250,251,252&#8243; fullwidth=&#8221;on&#8221; \/][et_pb_button admin_label=&#8221;Button&#8221; button_alignment=&#8221;left&#8221; background_color=&#8221;#7EBEC5&#8243; \/][et_pb_tabs admin_label=&#8221;Tabs&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;] [et_pb_tab title=&#8221;Description&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;] In Illo Tempore Vignettes II is a performance of bodies suspended in time, revealing the echoes of memory, alienation, and exile. The performers parade through relentless streams of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":244,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[38,26,2,16,17,18,20,22,24],"tags":[],"_links":{"self":[{"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/posts\/243"}],"collection":[{"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/comments?post=243"}],"version-history":[{"count":11,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/posts\/243\/revisions"}],"predecessor-version":[{"id":635,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/posts\/243\/revisions\/635"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/media\/244"}],"wp:attachment":[{"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/media?parent=243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/categories?post=243"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/tags?post=243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}