{"id":481,"date":"2013-09-09T23:35:15","date_gmt":"2013-09-09T23:35:15","guid":{"rendered":"http:\/\/beta.leimay.org\/portfolio\/?p=481"},"modified":"2017-05-17T19:42:19","modified_gmt":"2017-05-17T19:42:19","slug":"becoming-corpus","status":"publish","type":"post","link":"http:\/\/beta.leimay.org\/portfolio\/works\/becoming-corpus\/","title":{"rendered":"Becoming &#8211; corpus [Installation]"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221;][et_pb_row admin_label=&#8221;row&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_gallery admin_label=&#8221;Gallery&#8221; gallery_ids=&#8221;485,483,484,486,487,488,489&#8243; fullwidth=&#8221;on&#8221; orientation=&#8221;landscape&#8221; show_title_and_caption=&#8221;on&#8221; show_pagination=&#8221;on&#8221; background_layout=&#8221;light&#8221; auto=&#8221;off&#8221; hover_overlay_color=&#8221;rgba(255,255,255,0.9)&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; \/][et_pb_button admin_label=&#8221;Button&#8221; background_color=&#8221;#7EBEC5&#8243; \/][et_pb_tabs admin_label=&#8221;Tabs&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;] [et_pb_tab title=&#8221;Description&#8221; tab_font_select=&#8221;default&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font_select=&#8221;default&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">The visual art component of Becoming \u2013 Corpus features re-purposed historical fragments of earlier iterative <\/span><span style=\"font-weight: 400;\">processes as well as leftover detritus of the creative process. Photographed bodies are printed onto latex skins from previous works by Garnica and Moriya. The skins are beheaded, on display not far from sculptures of the dancers\u2019 heads, maybe in souvenir to a whole body. Other objects included are molds of Garnica and Moriya\u2019s whole bodies entangled in string, appearing to hover in the air but also to anchor one\u2019s vision. They use tension and suspension to conflate a sense of expansion and collapse of space. The same sense of dislocated space echoes the derangement of order in the choreography of Becoming \u2013 Corpus. The exhibition runs concurrently with the Becoming \u2013 Corpus stage production, functioning as both an independent exhibition and a complementary component of the project.<\/span><\/p>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Links&#8221; tab_font_select=&#8221;default&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font_select=&#8221;default&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"http:\/\/www.bam.org\/dance\/2016\/borders\">Brooklyn Academy of Music<\/a>\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Other pieces in THE BECOMING SERIES [link to BECOMING SERIES TAG]<\/span><\/p>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Credits&#8221; tab_font_select=&#8221;default&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font_select=&#8221;default&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;]<\/p>\n<p><b>IMAGE CREDIT: <\/b><span style=\"font-weight: 400;\">Photo Documentation: Shige Moriya<\/span><\/p>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Video&#8221; tab_font_select=&#8221;default&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font_select=&#8221;default&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221; \/][et_pb_tab title=&#8221;History&#8221; tab_font_select=&#8221;default&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font_select=&#8221;default&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;]<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">2013 \u00a0United States, Brooklyn, Brooklyn Academy of Music, BAM Fisher Sharp Lobby <\/span><\/p>\n<p>[\/et_pb_tab] [\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221;][et_pb_row admin_label=&#8221;row&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_gallery admin_label=&#8221;Gallery&#8221; gallery_ids=&#8221;485,483,484,486,487,488,489&#8243; fullwidth=&#8221;on&#8221; orientation=&#8221;landscape&#8221; show_title_and_caption=&#8221;on&#8221; show_pagination=&#8221;on&#8221; background_layout=&#8221;light&#8221; auto=&#8221;off&#8221; hover_overlay_color=&#8221;rgba(255,255,255,0.9)&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; \/][et_pb_button admin_label=&#8221;Button&#8221; background_color=&#8221;#7EBEC5&#8243; \/][et_pb_tabs admin_label=&#8221;Tabs&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;] [et_pb_tab title=&#8221;Description&#8221; tab_font_select=&#8221;default&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; body_font_select=&#8221;default&#8221; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221;] The visual art component of Becoming \u2013 Corpus features re-purposed historical fragments of earlier iterative processes as well [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":485,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[46,36,26,2,19,23],"tags":[],"_links":{"self":[{"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/posts\/481"}],"collection":[{"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/comments?post=481"}],"version-history":[{"count":4,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/posts\/481\/revisions"}],"predecessor-version":[{"id":505,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/posts\/481\/revisions\/505"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/media\/485"}],"wp:attachment":[{"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/media?parent=481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/categories?post=481"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/beta.leimay.org\/portfolio\/wp-json\/wp\/v2\/tags?post=481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}